{"id":29,"date":"2017-01-22T15:58:07","date_gmt":"2017-01-22T14:58:07","guid":{"rendered":"http:\/\/www.pinioncrown.com\/?page_id=29"},"modified":"2022-12-09T18:35:13","modified_gmt":"2022-12-09T17:35:13","slug":"ensemble","status":"publish","type":"page","link":"https:\/\/www.pinioncrown.com\/?page_id=29","title":{"rendered":"ENSEMBLE"},"content":{"rendered":"<p><strong>PINION &amp; CROWN \u2013 Curriculum Vitae<\/strong><br \/>\nSara Marin (Italy) and Griet Vanden Houden (Belgium) both come from Academic backgrounds as well as having studied at the National Academy of Dance Rome (IT) and de!Kunsthumaniora Antwerpen (BE).<br \/>\nThey first met at SEAD (Salzburg Experimental Academy of Dance) (AT) 2008-2011. They have been working for choreographers such as: Roberto Olivan, Todd Williams, Quan Bui Ngoc, Jelka Milic, Ori Flomin an many more..<br \/>\nAfter graduating, they completed a one year Pilates comprehensive teacher training (mat and equipment), at the Academy of Modern Pilates International (AT).<br \/>\nDuring and after school Sara and Griet spent a lot of time together, working, sharing ideas, moments of growth, tastes and traditions; influencing and enriching each other.<br \/>\nBeing friends and professionally working together in different fields (such as: dance, Pilates, yoga aerial, Spiraldynamik, pre &amp; postnatal training, teaching, performing, coaching,\u00a0 choreographing , art directing, casting in live events, photo and video productions) they have built a special connection that is reflected in their own work.\u00a0They currently continue their artistic collaboration together, although from different bases, respectively Sara in St. Gallen (CH) and Griet in Bad Goisern (AT), where they have put down roots and established their own centres.<\/p>\n<p><strong>Projects:<\/strong><\/p>\n<p>2023 &#8211; Showreel &#8211; Short film.<br \/>\n2022 &#8211; Melting Skies &#8211; Short film &#8211; collab. ParadigMan.<br \/>\n2019\/2021 &#8211; D\u00e9cadanse \u2013 Live-performance &#8211; Short film &#8211; Photographic installation<br \/>\n2017\/2019 &#8211; OXYMORON &#8211; Live performance &#8211; Short film &#8211; Photographic installation.<br \/>\n2017 &#8211; Filter &#8211; Photographic installation &#8211;\u00a0 collab. Atelier AUTHENTIC.<br \/>\n2015\/2016 &#8211; SAME same BUT DIFFERENT &#8211; Live performance &#8211; short film &#8211; Photographic installation.<\/p>\n<p><strong>Festival\/ Exhibition\/ Gallery:<\/strong><\/p>\n<p>2022<br \/>\n<span lang=\"de-CH\">IMVA International Music Video Awards <\/span><span lang=\"it-IT\">in Budapest (HU)<br \/>\n<\/span><span lang=\"it-IT\">High Tatras film, music and visual arts <\/span><span lang=\"it-IT\">festival in Ko\u0161ice (SK)<br \/>\n<\/span><span lang=\"it-IT\">K<\/span><span lang=\"it-IT\">URZFILM WETTBEWERB in St. Gallen (CH)<\/span><\/p>\n<p>2021<br \/>\nDas Tanzfest<br \/>\nOffene Kirche, Sankt Gallen (CH)<br \/>\nPremiere done also in live streaming (during the global pandemic)<\/p>\n<p>2018<br \/>\nSAPA Tanz Film Festival<br \/>\nWinterthur (CH)<\/p>\n<p>International dance festival<br \/>\nAlmada (PT)<\/p>\n<p>Drum5162, Kulturinitiative zur Auseinandersetzung und Verortung von Gegenwartskultur in Obertrum am See (AT)<\/p>\n<p>Das Tanzfest<br \/>\nGrabenhalle, Sankt Gallen (CH)<\/p>\n<p>2017<br \/>\nLange Nacht der B\u00fchnen<br \/>\nLentos Kunstmuseum Linz (AT)<\/p>\n<p>OXYMORON premiere<br \/>\nTabakfabrik Linz (AT)<\/p>\n<p>FESTIVAL OF NATIONS<br \/>\ninternational shortfilm festival Lenzig (AT)<\/p>\n<p>Breaking 8_International Dance Film Festival<br \/>\nCagliari (IT)<\/p>\n<p>2016<br \/>\nRessegna assoli e duetti e danza in corto<br \/>\nBartolomei ASD, Teatro villa Pamphilj<br \/>\nRome (IT)<\/p>\n<p>Tanz_house Festival.16 Under the Skin<br \/>\nSalzburg (AT)<\/p>\n<p>TanzTag.16<br \/>\nVienna (AT)<\/p>\n<p>FESTIVAL OF NATIONS<br \/>\ninternational shortfilm festival Lenzig (AT)<\/p>\n<p>2015<br \/>\nARTEFATTO_10 RESET friends in art<br \/>\nTrieste(IT) Palazzo Gopcevichi<br \/>\nLabin(HR) Gradska Galerija<br \/>\nPula (HR) Galerija Cvajne<br \/>\nHallein (AT) Schmiede \u2013 Playground of ideas<\/p>\n<p>FRACTIAL IDENTITIES<br \/>\nSELF &amp; IT\u00b4S LIQUID international art show<br \/>\nPalazzo ca\u00b4zanardi (IT)<br \/>\nVenice art house (IT)<\/p>\n<p>LIQUID ROOMS \u2013the body language<br \/>\nSELF &amp; IT\u00b4S LIQUID international art show<br \/>\nPalazzo ca\u00b4zanardi (IT)<\/p>\n<p>CULINARY ART GATHERING<br \/>\nVilla Paulick Seewalchen<br \/>\nam Attersee (AT)<\/p>\n<p><strong>PINION &amp; CROWN \u2013 Artistic Statement<br \/>\n<\/strong>For us, dance is an essential way to communicate. We feel that through the movement of the body we can express ourselves in ways that would not be possible through words. We can connect with the audience on a different level, transferring ideas, thoughts, opinions or feelings. For us, creativity and dance is more than a desire, it is a concrete need.<\/p>\n<p><em>The experience of the past,<br \/>\nAnd the expectations of the future,<br \/>\nWill make the experiment of the present.<\/em><\/p>\n<p>Drawing upon these elements, past, present and future, is often our starting point to create material. We are inspired by images and incorporate these into our work in order to evoke and provoke feelings in our audience. During our training we were taught to embody particular aesthetics. Looking back, we moved differently and while this phase was an important base, we realise that there are many other possibilities and we are capable of moving and dancing in many other ways. Also important for us, and at the very core of our work, is being present; present inside a clear structure where we are able to search for situations, and find fractures and connections within society and life that we can react upon and express through dance. Looking to the future we seek out supporting elements such as multi-media, music, visual projections and theatre, and enthusiastically embrace and incorporate these elements into our work to create a richer dance performance.<\/p>\n<p>We like the idea of interaction. A critical part of interplay for us is a communication with the space. Hence, our location plays a fundamental role in the creative process and the performance. We adapt our material to the environment and through this process the abstract dance can transition to become real and relevant. We work with what the environment offers and our characters have to play, communicate and interact with the scene.<\/p>\n<p>Our purpose is not to solve any problems or provide the audience with answers but we do aim to distract, confuse, or make them more open about things. Through our movement we hope to transport the audience and take them on a journey away from their ordinary life. We like to shake them up, make them curious and encourage the audience to ask questions.<\/p>\n<p>The distance between our dreams and reality is called action, and action is key to success. When you are afraid to do something, even if it lives in your mind for a long time, if you don\u2019t actually do it, it will never exist! We believe it is our responsibility to take a risk and create new work. So, inspired by a pinion and crown mechanism, both parts unique in shape, enabling them to fit harmoniously together and coexist by pushing, pulling and supporting each other, we have founded our dance ensemble PINION &amp; CROWN.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>PINION &amp; CROWN \u2013 Curriculum Vitae Sara Marin (Italy) and Griet Vanden Houden (Belgium) both come from Academic backgrounds as well as having studied at the National Academy of Dance Rome (IT) and de!Kunsthumaniora Antwerpen (BE). They first met at SEAD (Salzburg Experimental Academy of Dance) (AT) 2008-2011. They have been working for choreographers such [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":196,"parent":0,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"fullwidth-page.php","meta":{"jetpack_post_was_ever_published":false},"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P8jVGi-t","amp_enabled":false,"_links":{"self":[{"href":"https:\/\/www.pinioncrown.com\/index.php?rest_route=\/wp\/v2\/pages\/29"}],"collection":[{"href":"https:\/\/www.pinioncrown.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.pinioncrown.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.pinioncrown.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pinioncrown.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=29"}],"version-history":[{"count":12,"href":"https:\/\/www.pinioncrown.com\/index.php?rest_route=\/wp\/v2\/pages\/29\/revisions"}],"predecessor-version":[{"id":280,"href":"https:\/\/www.pinioncrown.com\/index.php?rest_route=\/wp\/v2\/pages\/29\/revisions\/280"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pinioncrown.com\/index.php?rest_route=\/wp\/v2\/media\/196"}],"wp:attachment":[{"href":"https:\/\/www.pinioncrown.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=29"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}